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Prayer Cicim
Category: Antique Rugs
Avg. Rating: Rated Excellent [5.0 out of 5] (Based on 1 Reviews)    Item Views: 356  (details)
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Item Value: $2,100.00
Type: Cicim
Country of origin: Turkey
Region of origin: Obruk Yaylasi
Artisan's heritage: Yoruk
Date made: 1880
Period made: Late 19th Century
Size: 5'8" x 3'11"
Shape: Rectangle
Assembly: Flatweave in one piece with supplemental tufts
Technique:

Tapestry weave.

Woven from back.

Weft: Wool
Warp: Top - 1/2" band of oblique wrapping
Bottom - Fringe secured with red counter soumak
Brocade:

Design applied using overlay-underlay brocading with colorful extra wefts.

Design:

Rare Kecemuhsine type.
Older style 4 stepped prayer mihrab devices.

Dye: Mostly natural
Main color:

Dark brown (undyed wool)

Additional colors: Crimson
Brick red
Deep orange (possbly chemical)
Deep lime green (Faded to yellow)
Marigold
Gray-violet (faded madder root, common to Konya)
Pink-beige
Ivory (Undyed wool)
Quality: Excellent
Features:

Extraordinary weaving skills
Beautiful natural dyes
High quality nomadic wool.

The Galerie Borge, Koln Germany has a similar piece.

Condition: Excellent
Defects: Bottom warp fringe is mostly worn away.
Top warp fringe is frayed at corners

Notes
Cicim technique is the most difficult Kilim to weave. Weavers seldom wove more than one major Cicim such as in her lifetime.
Newer ones of this design type have more steps and more detail.
Centered in each mihrab's 3 sections are interlocked, rainboq colored rhomboids radiating from a single tulip or camel foot motif, creating an illusion of candles in the dark.
Mihrab bands are worked in white zig-zags inside thin white borders against the dark gbrown ground.
In Turkmen tradition, at the top and bottom beyond the main border, elems containing alternating elibelinde figures in alternating colors are finished with a red line surrounded by slanting red-tipped yellow parmakli rows directed into and out from the cicim. This device was believed by the weavers to preserve the magical powers of the rug and ward off evil outside forces.
Tiny tufts of brushed wool and fabric tied in horizontal rows represent wishes tied in by the young weaver, family and friends as a part of thew dowry. The remains of the three carefully spaced rows of wishes in the top half of the cicim is were touched by the supplicants during prayer as a part of their meditation.


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