To the delight of Star Trek fans everywhere, the stellar second season of The Next Generation (1988-89) belonged to Lieutenant Commander Data. As the Enterprise-D's resident android, Data (in the Emmy-worthy hands of Brent Spiner) would gain legal sentience in the season highlight "The Measure of a Man," and his increasingly "human" personality would refine itself in such diverse episodes as "Elementary, Dear Data" (Data as Sherlock Holmes), "The Outrageous Okona" (a misfire, but worthy from the Data perspective), and "Pen Pals." While Gates McFadden (Dr. Crusher) took a sabbatical of then-unknown duration (gracefully replaced by original Trek guest star Diana Muldaur as Dr. Pulaski), the remaining bridge crew would match Data's vitality: Riker grew a handsome beard and proved his command potential; Worf became richly nuanced in "The Icarus Factor," and met his match (and mate) in guest Suzie Plakson's fiercely Klingon sexpot K'Ehleyr; Wesley matured admirably, despite continuing fan disapproval; Betazed culture emerged as Troi locked horns with her eccentric mother, Lwaxana (Majel Barrett, in a recurring role); and La Forge made good on his promotion to chief engineer while Chief O'Brien (Colm Meaney) flawlessly rode on Geordi's coattails. In a crucial series development, Guinan (special guest Whoopi Goldberg) revealed a connection to Q in her helpful capacity as Ten-Forward's enigmatic host, while Q himself (John DeLancie) precipitated the Enterprise's first, fateful encounter with the Borg (in the suspenseful "Q Who?"). Through it all, Patrick Stewart brilliantly intensified all of Picard's renaissance qualities (especially in the dazzling "Time Squared"), exploring the captain's facets with equal measures of curiosity, fascination, amusement, courage, and philosophical insight. Despite its lame finale with the money-saving clip-show "Shades of Gray," season 2 charted a warp-nine course to the even better season 3. --Jeff Shannon
Entertainment
The entertainment industry has grown and evolved over the years with music and cinema taking a new form through the ages and so have the technologies that fuel it. Gone are the days of eight songs on a cassette and VCR players with merely two hours of entertainment recorded on a single video cassette. With the advent of computers came digital data storage and hence the birth of DVD/CDs.
Quiet a step back in matters of physical form as these new generation audio/video storage devices hold an uncanny resemblance to the records that preceded the cassette generation. DVDs and CDs today are an everyday household entertainment storage device which has come a long way since the first records and cassettes were distributed commercially.
Notable advantages of DVD/CDs have to begin with the amount of storage space available. These days its possible to burn multiple movies on a single DVD and as far as audio goes if its in a highly compressed format such as .mp3 a single CD can accommodate multiple music albums. These discs are easy to handle, light and portable with no moving devices unlike the tape generation however they are delicate and a scratch on the DVD/CD surface could cause a disruption in the information being read by the player.
DVD/CDs were initially invented to provide high quality audio/video data to a user with the ability to regulate its production however this soon fizzled away with daily household computers gaining the ability to burn data in such formats. The race to curb piracy through such means has not hit a roadblock and DVD/CDs keep evolving with newer encryption technologies in a bid to curb unchecked replication of data spawning newer technologies like Blu-ray discs which seems to be yet another milestone on an unending road of innovation.
