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Rashwan Infinity Kilim: $4,700.00

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Rashwan Infinity Kilim
Item Description
Type: Kilim
Country of origin: Turkey
Region of origin: Sivas
Artisan's heritage:

Rashwan

Period made: Late 19th Century
Size:

15'4" x 6'1"

Shape: Rectangle
Assembly: Flat wove in two panels on a narrow nomadic loom and then joined together.
Technique: Plain weave, accompanied by slit-weave.
Weft: Wool
Warp:

Undyed ivory wool. Plain 3" fringe at one end. Knotted, corded 8" long at other end.

Brocade:

The finsih is superb with carefully executed designs neatly outlined with contrasting colors of weft-wrapping yarns.

The field contains scattered brocades that signify marraige (bride's slippers) and those that protect livestock from wolves (wolf's mouth).

Scattered small cicim brocaded motifs.

Design:

Rhomboidal elements: 3 interlocking columns of 3, 11 partial rhomboiuds fill the space up to the border.

Dye:

Vegetal, some not used after WW1

Main color: Brick Red
Additional colors:

Ivory (no dye)
Dark Brown
Nut Brown

Medium Green
Burgundy
Rasberry Red
Light Blue
Medium Blue
Royal Blue
Dark Blue
Aubergine
Marigold

Quality: Superb
Features:

 o The highest quality of wool and dyes were expertly used. It is of the highest quality wool with a silky texture. The design halves in each panel match up prefectly. This type of kilim was not easy to weave.

o The unique 8-armed motifs woven into the rug above the first medallions appear to be a tribal mark.

o The field is cutoff by the border in such a way that the field represents infinity extending beyond the border.

Condition: Excellent
Defects:

Very small areas at the corners have been restored. Some of the warps have been locally replaced in the process.

Date made: --
Provenance: --
Density: --
Details: --
Quantity: --
ASIN: --

Notes

Rashwans settled in east-central Anatolia from the Mardin Provence at the Syrian border up through Sivas. The design motif is used in Malatya and Sivas, although the Malatyan examples are typically darker than this rug with bright wide ranging colors.

Flat weaves of this dimension were typically used for tent wall decor or to cover the divan.Woven fabric loops along horizontal edge suggest that it was used as a privacy curtain or on a tent wall.

The field/border is connected with a common comb/fence like design (parmakil) that is meant to contain the power of the rug and fend off negative influences (evil eye).

The border is filled with a single line of stached bereket/dogum motifs representing fertility and birth. Inside each of these is the nazarlik motif which was believed to defend against evil forces.

Much more complex design than published similar examples in the Brooklyn and Sivas museums.



Antique and Antique Collecting

Antiques have always lured those with a passion for the past and its cultural significance. Antique collecting though is a serious hobby which requires the hobbyist to posses a great deal of information on the history and other correlating facts if they are to land a reasonable purchase. Most often if not antiques make their way into the mainstream market via simple garage sales, auction houses etc. wherein the owner would have overlooked the significance of these precious collectables.

A reflection and testimony of the glorious past, Antiques are undoubtedly rare. Perhaps that is why Antiques have been collected and preserved for over thousands of years as a souvenir and tribute to what has been and gone. After all, those heard are sweet, but those unheard are sweeter!

Antique collecting has been in the books since the 16th century, gaining momentum through the 18th century to grow into what is now a healthy international business thats on par with the art industry. Some individuals prefer to collect antiques from a specific era, while most are into specific objects and aim at a timeline based collection such as vintage cars or clocks from the 1950s for example. The purchase of antiques is just the tip of the iceberg when it comes to the effort that goes into their maintenance. Most objects would be anywhere in the range of 50 to 100 years old. The biggest culprit to an antiques degradation is exposure to natural elements, even the air in most cases!

Over the years, antique collecting has taken another curious twist as certain home décor trends these days reflect on a retro feel. For this reason a lot of long lost furniture and clothing styles from half a century ago have found their way back into the current world with small changes that help them amalgamate into the 21st century. This trend of commercially viable antiques has had a negative impact on the market as replicas of famous antiques have been making the rounds and authenticity issues are far too common. Examples for the same would be pendulum clocks, bone china and the 1970 – 1979 contemporary modern furniture.

When it comes to venturing towards a purchase, its best for an individual to take assistance from the nearest antique dealer organization as it would guarantee both its authenticity as well as cover any legalities. Most often the replica market supplies the same antiques at a much lower price and the buyer could suffer serious repercussions on purchasing from such sources as these pieces are not officially accounted for. Antique collecting needs to be met with diligence and maturity in order to successfully sustain the past in the present.

Owner and Item Info

Posted in: Gallery / Antiques / Antique Rugs by RugCollector on 6/7/2007
Tags: kilim, kilims, kelims, rugs, tapestries, kilim rugs, antique kilims, flat weave
Item Status: PUBLIC

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