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metal two piece corn dog iron made for gene goff, dallas texas U. S. pat office
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For all of you treasure seekers and
American culture collectors and enthusiasts, a new discovery has been
made to fawn over. A 4,000-year-old temple, which is located inside a
larger ruin, has been unearthed on the northern coast of Peru, making
it one of the oldest finds to date in the Americas. Peruvian
archeologist Walter Alva (seen in the picture at left with a
mural), led the dig in the Lambayeque Valley, about 472 miles from
Lima, Peru's capital. Alva also discovered Sipan, an administrative
and religious center of the Moche culture, during the 1980's. The
temple “Ventarron” is filled with murals and includes a staircase
that leads to an altar which was used for fire worship. The
construction methods and architectural design of Ventarron impressed
the discoverers since its erection predates Sipan by centuries. “The
discovery of this temple reveals evidence suggesting the region of
Lambayeque was one of great cultural exchange between the Pacific
coast and the rest of Peru,” said Alva.
Here's a brief
history lesson to help clarify: Until the Spanish arrived in the
Americas during the 1500s, the Incas ruled their empire for several
centuries. Their nation stretched from Colombia and Ecuador in the
north, to what are now Peru and Chile in the south. Peru is known to
be rich in archaeological treasure from this time, including that
which was found in the Inca citadel of Machu Picchu in the Andes.
Discoveries made at Sipan have included a gold-filled tomb built
1,700 years ago for a pre-Incan king. Perhaps discoveries of ancient
treasure at Ventarron will yield as positive of results as the Sipan
exploration's did. Pieces from Incan culture are extremely valuable
and highly sought after, and I believe artifacts from Ventarron will
be treated similarly. To read the entire article, click here. Also,
feel free to post pictures and stories to this blog of ancient art and artifacts, as well as share
your historical items within the iTaggit Gallery.
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I loved this article! My parents have two antique metal wagon wheels in the flower beds at the front door. I have always been intrigued by antique equipment and artifacts. I hope this gentleman's dream comes true! As originally published by the Burlington Free Press
Collector asks for help with farm antiques
Published: Monday, October 15, 2007
By Lisa Rathke
The Associated Press
COVENTRY -- Fred Webster fears that when he
dies, his 1,500-piece collection of antique farm equipment will die
with him -- parceled up and auctioned off.
So he's asking the state to help him preserve it.
"When
I go, what's going to happen?" the 86-year-old says of his tractors,
carriages, sleighs, wheels and saws. "Then the buildings will start to
fall in."
Webster, a former vocational agriculture instructor, started
collecting artifacts of rural life when he retired 21 years ago. His
aim was to show how machinery had evolved, a phenomenon he witnessed
growing up on his family's farm, where he still lives today.
"I wanted something to do when I retired," he said. "So I started collecting."
Did he ever.
His
collection, which is housed in 80,000 square feet of old barns and
ramshackle buildings on his property, includes an 1896
single-horsepower machine, a horse-drawn hearse and hoards of old maple
taps.
His son helped him to record more than 300 hours of video documentation about the artifacts, so he could pass what he knows.
Still
nimble at 86, he ambles around the vast collection, stepping over and
around the equipment, across rickety barn floors and planks and up and
down stairs.
He points to a carriage he used to travel in to school and a
sleigh he said his father used for courting. Nearby, on the upper floor
of the vast barn, is a horse-drawn hearse, stacks of wooden wheels and
60 old-fashioned washing machines.
Last spring, heavy snow toppled a roof covering his prized
single-horse power drag saw. The 1896 device, now covered in plastic,
is powered by a horse running on a treadmill.
The collection draws attention -- sometimes from unlikely people.
When
the rock band Phish played its farewell concert at a nearby farm in
2004, the organizers turned to Webster for props. He liked talking to
the artists and hearing their ideas and was happy to oblige.
"They saw my horsepower drag saw and they said, 'Oh, boy. We
can use that to saw watermelons.' Saw watermelons with a drag saw? I
said, 'You guys are out of your mind.'"
They ended up renting 10 vehicle-type artifacts from Webster
to show the agricultural heritage of the area, he said. The drag saw
cut watermelons powered by people operating the treadmill, he said.
"They treated us really really good," he said. "It was a
tremendous event -- the best thing that ever happened to the future of
Coventry."
Webster hasn't sought publicity but now he's hoping
that the state will find a way to preserve his treasures, which he
doesn't want to pass on to his children because he fears it's too much
of a burden. He'd prefer to have the pieces stay on his land, anyway.
He called state Sen. Vincent Illuzzi, who contacted state
officials who eventually put him in touch with Sylvia Jensen, a
land-use planner for the state Agency of Agriculture.
"Personality-wise, he's an incredible resource and
individual," said Jensen. "His life story is one of hardship and
humor," she said. "He sees the glass half full all the time."
She envisions a learning center with exhibits and demonstrations and possibly carriage rides throughout the summer.
Jensen believes some combination of grants, state aid and private donations could help Webster achieve his dream.
She's contacting historical societies, the Vermont Trust for
Historic Preservation, the Vermont Housing and Conservation Board and
the Vermont Land Trust in hopes of drumming up interest.
"Have I created a monster which I'm begging to help me
preserve or am I just a nuisance to people?" Webster said. "It's a big
question."
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I have two little pictures. One is a Dutch boy. He holds a bunch of flowers in each hand. He wears a furry looking hat, flesh coloured shirt, blue pants and clogs. A little dog is looking out from behind his legs The little girl pictured is wearing a traditional Dutch cap, with a wing sticking out on each sode. She holds a bunch of flowers against her right shoulder. The same little dog looks out from behind her. The unusual thing about these pictures is that the figures of the boy and the girl and the dog are raised . It feels like there is plaster under them. Yesterday, searching for clues on the net, I found a description of something similar by an artist called Jan Wigga.(1902--1978.) Unfortunately, I didn't bookmark it, and now can't find it. Each picture is framed, 7and a quarter inches wide and 9 and a quarter inches tall. I'm TRYING to figure out how to upload the pictures. They are on thick cardboard. I can see that the original backing was brown paper. Plaster pieces have been inserted behind the pictures to steady them. I sure hope someone can tell me what kind of art this is. If I knew the name of this type of process. I might be able to do some research. I've never seen this kind of thing before. They look as though they may have been made ( produced?) in the early 19th century. Thank you for reading this. Any information would be greatly appreciated. Rosaleen
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Brought back from the Admiralty Islands during WWII this clay or earthen statue (smells of earth when wet) has these like round seeds in the eyes that role around. The top of the head looks like a dove soap dish and is holding a small jug. the ears are like two rings or large handles, with holes, and there is a handle in the back to hold. heavy for its size, about 7 inches. the front has a island god of some sort with feather head dress, and on the sides of what I call a soap dish is owl looking heads. On the feet, they point out in the back for balancing up right, and there are lots of U's and O's shapes. The face is lots of wrinkles and teeth showing, smile, and large lips. A slight burnt red color is over edges and the rest is of dark dark, coffee color brown. Again, when wet or dampend, can smell strong earth. Please contact me at antiquist@aol.com if you may have an idea of what this is and the value if any. ty
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